![]() ![]() ![]() To make all of the Movi moves, we will send at least 1 Movi Tech to make sure everything works properly on your set. All around, this is a small, lightweight option to capture smooth, cinematic shots that previously would have needed a much larger on-set footprint. Since we specialize in multiple ways of camera movement, this kit can be transferred easily between handheld, car rigs, dollies, and jibs. Able to fly a 20Lb payload, this gimbal can fly most Red, Sony, Arri, and Blackmagic camera builds. ![]() This kit has seamless integrated power, remote control, and video downlink. The primary gimbal we use in-house is the Freefly MoviPro. Whether that is a slow-moving jib shot, all the way to a high-speed car rigged or cable cam shot. With the help of newer technologies that allow for almost any camera and lens package to be used, we are able to find a smooth solution for any specialty shot. Even before the 3 axis gimbal became a tried and true piece of film equipment, our team has been working toward making smooth, movement-focused shots that seem impossible. With our work with different gimbals, MoviPro being our go-to tool, we are able to stabilize a shot in a variety of different scenarios. Compatible with many gimbals/payloads (movi, ronin 2 or similar).Repeatable moves, programmable end stops, safe.For live, commercial and narrative productions.600’ dual lines for redundant safety over crowds, etc.The Cadece can go up to 35 mph with a length of 600’ max. Our 2 person team will make sure that all anchor points and rigging will be safety and efficiently be set up to provide fast setups that keep all on set safe. This package can carry our movi package or similar sized gimbals such as the ronin 2. Because of the nature of being on a line system this allows for repeatable moves in areas that would normally not be possible. As well as being able to be hauled deep into woods to capture outdoor footage such as Mountain Biking or trail running. The Defy Cadence is a compact cablecam option that can be used for either large live, commercial, or narrative productions. Whether zipping through the woods or between two points in an urban setting. Our kit has seamlessly integrated power, control and video downlinkĬable cam - 2 people The cable cam is the best example of our logo in real life.Fast transfer from handheld-car-dolly-jib.Depending on the shoot and complexity of the desired shots we will send multiple crew to help execute the most complicated of ideas. To make all of the Movi moves, we will send at least 1 Movi Tech to make sure everything works properly on set. All around this is a small lightweight options to capture smooth cinematic shots when before they would need a much larger on set footprint. Our primary gimbal we use in house is the Freefly MoviPro. Whether that is a slow moving jib shot all the way to a high speed car rigged or cable cam shot. With the help of newer technologies that allow for almost any camera and lens package to be use we are able to find a smooth solution for any specialty shot. Even before the 3 axis gimbal became a tried and true piece of film equipment, our team has been working toward making smooth intentional moving shots that seem impossible. We are able to stabilize the story in a variety of different scenarios. With our work with different gimbals, Movipro being the primary tool we use. Gimbal - 1 Movi Tech Ghosts can move all around because of their smooth stable soul. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |